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Star Trek is an enduring icon in American popular culture.

Episode 97: Citizenship and Immigration in Star Trek

To browse Academia. Skip to main content. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. Log In Sign Up. Unfollow Follow Unblock. Other Affiliations:. Griffith , Media Studies , and War Studies. My research explores the representation and narration of cultural difference, including race, gender and sexuality, i I am currently extending this work to address culture conflict, transmediation, and the shifting American narrative in the Middle East, Latin American and Pacific.

More Info: Screenwriting studies volume, co-authored with Daniel Bernardi, critically assessing the state of American screenwriting since War Culture Book Series more. More Info: This new series aims to publish manuscripts that address the myriad ways in which warfare informs diverse cultural practices; as well as the way cultural practices inform the practice of warfare.

Publisher: Rutgers University Press. Islamic extremism is the dominant security concern of many contemporary governments, spanning the industrialized West to the developing world.

Narrative Landmines explores how rumors fit into and extend narrative systems and ideologies, Narrative Landmines explores how rumors fit into and extend narrative systems and ideologies, particularly in the context of terrorism, counter-terrorism, and extremist insurgencies.

Its concern is to foster a more sophisticated understanding of how oral and digital cultures work alongside economic, diplomatic, and cultural factors that influence the struggles between states and non-state actors in the proverbial battle of hearts and minds.

Beyond face-to-face communication, the authors also address the role of new and social media in the creation and spread of rumors.

As narrative forms, rumors are suitable to a wide range of political expression, from citizens, insurgents, and governments alike, and in places as distinct as Singapore, Iraq, and Indonesia—the case studies presented for analysis. While not exactly the same as the advanced technological systems or Improvised Explosive Devices to which they are metaphorically related, narrative IEDs nevertheless operate as weapons that can aid the extremist cause.

Star Trek is an enduring icon in American popular culture. For many viewers, the science fiction series represents the bold exploration of the unknown and the humanistic respect of the foreign and the alien. In fact, it is Star Trek's In fact, it is Star Trek's vision of a utopian future where humans no longer engage in racism, sexism, capitalism, among other "-isms" that many fans claim is the main reason for their loyalty.

But is the visionary Trek future world truly colorblind? Star Trek and History traces the shifting and reforming meaning of race articulated throughout the Star Trek television series, feature films, and fan community.

Daniel Bernardi investigates and politicizes the presentation of race in Star Trek in the original series of the s, the feature films and television spin-offs of the s and s, and the current fan community on the Internet.

Through both critical and historical analysis, the book proposes a method of studying the framing of race in popular film and television that integrates sociology, critical theory, and cultural studies. Bernardi examines the representational and narrative functions of race in Star Trek and explores how the meaning of race in the science fiction series has been facilitated or constrained by creative and network decision-making, by genre, by intertextuality, and by fans.

He interprets how the changing social and political movements of the times have influenced the production and meaning of Trek texts and the ways in which the ongoing series negotiated and reflected these turbulent histories.

Most significantly, Bernardi tells us why is it important for readers to better understand the articulation of race in this enduring icon of American popular culture. As studio bosses, directors, and actors, Jews have been heavily involved in film history and vitally involved in all aspects of film production. Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, while Jews have also helped to produce some of the most troubling stereotypes of people of color in Hollywood film history.

In Hollywood's Chosen People: The Jewish Experience in American Cinema, leading scholars consider the complex relationship between Jews and the film industry, as Jews have helped to construct Hollywood's vision of the American dream and American collective identity and have in turn been shaped by those representations. Editors Daniel Bernardi, Murray Pomerance, and Hava Tirosh-Samuelson introduce the volume with an overview of the history of Jews in American popular culture and the American film industry.

Multidisciplinary contributors go on to discuss topics such as early Jewish films and directors, institutionalized anti-Semitism, Jewish identity and gossip culture, and issues of Jewish performance on film.

The Jewish experience in American cinema reveals much about the degree to which Jews have been integrated into and contribute to the making of American popular film culture. Scholars of Jewish studies, film studies, American history, and American culture as well as anyone interested in film history will find this volume fascinating reading.

Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about Addressing representation and identity in a variety of production styles and genres, including experimental film and documentary, independent and mainstream film, and television drama, Filming Difference poses fundamental questions about the ways in which the art and craft of filmmaking force creative people to confront stereotypes and examine their own identities while representing the complexities of their subjects.

Selections range from C. Technical aspects of the craft are considered as well, including how contributors to filmmaking plan and design films and episodic television that feature difference, and how the tools of cinema—such as cinematography and lighting—influence portrayals of gender, race, and sexuality.

The struggle between economic pressures and the desire to produce thought-provoking, socially conscious stories forms another core issue raised in Filming Difference. Speaking with critical rigor and creative experience, the contributors to this collection communicate the power of their media.

The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking.

Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez. Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.

Classic Hollywood, Classic Whiteness editor more. Leading scholars address the myriad ways in which America's attitudes about race informed the production of Hollywood films from the s through the s.

The contributors to this volume examine how assumptions about white superiority and colored inferiority, and the politics of segregation and assimilation affected Hollywood's classic period. Pearson, Cardiff U; Marguerite H.

As indelible components of the history of the United States, race and racism have permeated nearly all aspects of life: cultural, economic, political, and social. In this first anthology on race in early cinema, fourteen scholars examine Any discussion of racial themes and practices in any arena inevitably begins with the definition of race. Is race an innate and biologically determined "essence" or is it a culturally constructed category? Is the question irrelevant?

Perhaps race exists as an ever-changing historical and social formation that, regardless of any standard definition, involves exploitation, degradation, and struggle. In his introduction, Daniel Bernardi writes that "early cinema has been a clear partner in the hegemonic struggle over the meaning of race" and that it was steadfastly aligned with a Eurocentric world view at the expense of those who didn't count as white.

The contributors to this work tackle these problems and address such subjects as biological determinism, miscegenation, Manifest Destiny, assimilation, and nativism and their impact on early cinema. Griffith, Oscar Micheaux, and Edwin Porter are included in the volume. Teaching Documents. This class introduces you to the major theoretical and critical approaches to cinema studies. What are the major film theories?

How might you employ these theories when critically engaging cinema? What methods might you use when studying What methods might you use when studying the cinematic text, representation, historical context, spectators, and audiences? What tools are available to you as you think and write about cinema? We will answer these questions with an eye toward preparing you for more advanced critical and creative work in the Cinema major. You are expected to engage in all learning tasks, many of which are located on the class website.

Syllabus - Documentary Film undergraduate more. Course I'm teaching on Fellowship at the University of Canterbury. Most of the material comes from a colleague here -- terrific educator -- Alan Wright.

Documentary Film Studies and Documentary Filmmaking. Syllabus undergraduate - Critical Approaches to Cinema more. Syllabus undergraduate - Signs of Aliens more. More Info: Syllabus designed for campus and online environments. Syllabus undergraduate - Hollywood Representations of Race and Ethnicity more.

The War to End All Wars more. Relying on newly discovered archival footage, memoirs from the fallen and expert commentary from world-renown scholars, The War to End all Wars tells the story of World War I from the American perspective: It's Ace pilots, mine-laying Relying on newly discovered archival footage, memoirs from the fallen and expert commentary from world-renown scholars, The War to End all Wars tells the story of World War I from the American perspective: It's Ace pilots, mine-laying sailors, heroic doughboys, Harlem Hell Fights, and courageous nurses.

As the story of trench, chemical and open warfare unfolds, we come to understand how the first global war transformed American society, leading to the Veteran's Administration, while also solidifying the country's parochial past despite the battlefield successes of African American troops.

TAW Poster web more. This film explores the story of the Vietnam War from the Vietcong perspective. I shot it in It's distributed by Journeyman Pictures. My short documentary on Vietnam War veteran Tim Kochis more. Documentary Film and Veterans. Documentary Filmmaking and Veterans. Edited Books. Newspaper and Full Text Vol 5. Annen has Kirk Literary studies and Science Fiction Studies. Black Manhood on the Silent Screen. By Gerald R.

Butters Jr.

Episode 97: Citizenship and Immigration in Star Trek

Can we imagine a future in which the African diaspora is seen as central to the flow of events? This chapter seeks to answer that question through a history of Afrofuturism as a critical term and a critique of the concept as deployed by black and white science fiction writers. The word is presented as a heuristic that makes visible black artistic production of futures that seek escape from dystopian erasures that seem real. The idea captures stories about science, technology, and culture other than those that limit future history to Eurocentric extrapolations. Keywords: African diaspora , Afrofuturism , science fiction , Future History , dystopian , Eurocentrism , African-American literature , race. In the final decade of the twentieth century, the future seemed ever more imminent. Fiction writers and cultural journalists traced the advent of a virtual or digital future that they believed would usher in a more prosperous, just, and democratic order see Gilder.


Icon for page image monograph. HEB book cover. Star trek and history: race-ing toward a white future. Bernardi, Daniel, © Rutgers.


Star Trek and History: Race-ing toward a White Future

Can we imagine a future in which the African diaspora is seen as central to the flow of events? This chapter seeks to answer that question through a history of Afrofuturism as a critical term and a critique of the concept as deployed by black and white science fiction writers. The word is presented as a heuristic that makes visible black artistic production of futures that seek escape from dystopian erasures that seem real. The idea captures stories about science, technology, and culture other than those that limit future history to Eurocentric extrapolations. Keywords: African diaspora , Afrofuturism , science fiction , Future History , dystopian , Eurocentrism , African-American literature , race.

To browse Academia. Skip to main content.

Star Trek and History

Daniel J. By Daniel Leonard Bernardi. New Brunswick: Rutgers University Press,

Can we imagine a future in which the African diaspora is seen as central to the flow of events? This chapter seeks to answer that question through a history of Afrofuturism as a critical term and a critique of the concept as deployed by black and white science fiction writers. The word is presented as a heuristic that makes visible black artistic production of futures that seek escape from dystopian erasures that seem real. The idea captures stories about science, technology, and culture other than those that limit future history to Eurocentric extrapolations. Keywords: African diaspora , Afrofuturism , science fiction , Future History , dystopian , Eurocentrism , African-American literature , race. Access to the complete content on Oxford Handbooks Online requires a subscription or purchase.


"An original and insightful exploration of a major component of contemporary American culture." -H. Bruce Franklin, author ofWar Stars: The Superweapon and​.


Table of Contents

He completed a University of California postdoctoral research fellowship in His main academic interests are media studies , narrative theory , critical race theory , and rumors as narrative IEDS. His work in media, which is perhaps most well known, emphasizes whiteness as a historical formation of meanings. Borrowing from Michael Omi and Howard Winant's theory of racial formation, he argues that whiteness is a historically powerful set of meanings that serves to either implicitly or explicitly dominate the shifting and reforming meaning of race in U. Bernardi is also a documentary filmmaker. One of his more recent films, The American War , tells the story of the Vietnam War from the perspective of the Vietcong. Both films are distributed by Journeyman Pictures.

Я видел схему. Она знала, что это. Как и то, что шахта лифта защищена усиленным бетоном. Сквозь клубящийся дым Сьюзан кое-как добралась до дверцы лифта, но тут же увидела, что индикатор вызова не горит. Она принялась нажимать кнопки безжизненной панели, затем, опустившись на колени, в отчаянии заколотила в дверь и тут же замерла.

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