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Arms And The Man Act 1 Pdf

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Arms and the Man was one of Shaw's first commercial successes.

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The play opens at night in a lady's bedchamber in a small Bulgarian town in , the year of the Serbo-Bulgarian war. The room is decorated in the worst possible taste, a taste reflected in the mistress' Catherine Petkoff's desire to seem as cultured and as Viennese as possible. But the room is furnished with only cheap bits of Viennese things; the other pieces of furniture come from the Turkish Ottoman Empire, reflecting the long occupation by the Turks of the Balkan peninsula. On the balcony, standing and staring at the romantic beauty of the night, "intensely conscious that her own youth and beauty are a part of it," is young Raina Petkoff. Just inside, conspicuously visible, is a box of chocolate creams, which will play an important part later in this act and which will ultimately become a symbol of the type of war which Shaw will satirize.

Arms and the Man

Arms and the Man. Plot Summary. Act 1 Act 2 Act 3. Realism Class Divisions Youth vs. Maturity Heroism. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does. Detailed explanations, analysis, and citation info for every important quote on LitCharts. The original text plus a side-by-side modern translation of every Shakespeare play. Sign Up. Already have an account? Sign in. From the creators of SparkNotes, something better.

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Themes All Themes. Symbols All Symbols. Theme Wheel. Everything you need for every book you read. The way the content is organized and presented is seamlessly smooth, innovative, and comprehensive. LitCharts assigns a color and icon to each theme in Arms and the Man , which you can use to track the themes throughout the work.

The curtain opens on a bedroom, in a small town in Bulgaria in The setting alone suggests a conflict of identity and class division—the room is split between sensible and lavish, paltry and rich, Bulgarian and Viennese. Active Themes. Identity, Authenticity, and Self-Expression. On the balcony there is a beautiful lady Raina , who looks out into the sky as though she is appreciating its beauty, and as though she knows her own youth and beauty contribute to the magical quality of the night.

She is decorated in expensive furs, which are worth approximately three times what the furniture in the room is worth. The expensive furs she is draped in continue to highlight the fact that this is a household that is not only wealthy, but strives to be perceived as wealthy—perhaps these characters want to seem even wealthier than they are.

Catherine certainly seems to care about appearing high-class, dressing in Viennese fashions though she is Bulgarian. Related Quotes with Explanations. Catherine tells Raina there has been a battle, and Raina is visibly excited. When Catherine says the battle has been won by Sergius , Raina is ecstatic. We discover that she is elated by the prospect of Sergius winning a battle. Already we can see that she is in the habit of reducing herself and others to their accomplishments, their ability to appear a certain way.

She begs her mother not to tell Sergius that she ever doubted him, but her mother refuses to make such a promise. Raina explains again that she simply worried their ideas were born of their love for the writings of Byron and Pushkin, and whether these ideas could hold up in real life.

But, she assured her mother, she is convinced now. She knows she is idealistic and romantic, even acknowledging that her view of the world is based on the romantic writing of Byron and Pushkin. Raina dismisses her worries as the result of cowardice, and affirms that Sergius is as splendid and noble as he looks. Louka interrupts them, a young and pretty servant girl who is clearly defiant, and whose demeanor seems almost insolent.

She also looks excited, but not in the rapturous way of Catherine and Raina , and she is clearly contemptuous of their romantic demeanors.

She tells them that there will soon be gunfire in the streets, as the Servian army is retreating. She advises that all of the doors and windows of the house should be locked. Though she is a servant, she clearly disdains servant work, and her lack of reverence for upper class citizens is obvious from the start. The War that Raina has been distantly romanticizing will soon be in her backyard.

Raina expresses her sadness that the Bulgarians, her people, are cruelly slaughtering fugitives, and wonders what the point of such an exercise might be. Catherine ignores her and in a businesslike manner goes to make everything safe downstairs, insisting that Raina keep her shutters locked.

The interaction with Louka is also revealing: Raina believes it is fine if she contemplates disregarding her mothers wish and leaving the windows unlocked, but chides Louka for the exact same line of thinking.

Louka perceives this inequality and leaves. My hero! But reality intrudes once again, in the form of gunshots. The man lights a match and Raina demands to know who is there. He threateningly warns her not to call out if she wants to remain unharmed. Raina lights a candle and sees that the man is in a horrible state, ragged, thin and unkempt. Yet he appears to still have all his wits about him.

He points out his Servian uniform and tells Raina that if he is caught he will be killed. When he tries to impress upon her that he is Servian, and that his life is at stake, she clearly begrudges him his desire to live, as though a true soldier would not fear death.

This extreme idealism when put up against the un-heroic realism of the soldier has a comedic effect onstage because Raina seems ridiculous and this kind of humor will persist throughout the play. The man grimly but in a good-natured way tells her that all soldiers are afraid of death. He warns her against raising an alarm, but she indignantly asks him why he imagines she is afraid of death. He grants her that she might not fear death, but that she would certainly fear being seen by a bunch of cavalry men in her nightgown, and snatches her cloak from the nearby ottoman, exclaiming that her cloak is a better bargaining tool than his rifle.

This man sizes Raina up immediately—he correctly assumes that she is the kind of person who would fear social disgrace more than death. Raina scornfully tells him he is not behaving like a gentlemen. Giving up, the man kindly throws Raina her cloak, and his intimidating manner gives way to a weakened and fearful one. He tells Raina he is done for and that she should look away, for it will not take long. Raina, touched by his compassion, hides him in the curtains.

The man tells her that if she keeps her head he might have a chance, because nine soldiers out of ten are born fools. When a knock arrives, he relents, but in so doing acts even more unlike a soldier—he shies away in fear, and seems weak and vulnerable. We would expect that Raina would be even more offended at this violation, but instead she feels compassion for him, and helps him—her character is more complex than it seems, though there is a sense also that she wishes to be heroic.

Raina insists she heard nothing. Catherine calls a Russian officer into the room, and Raina stands in front of the curtain as he searches the balcony. Louka remains. Raina tells Louka to keep her mother company.

Louka looks at the ottoman, then the curtain, then exits, laughing to herself. Raina, offended, slams the door after her in a huff.

The man emerges from his hiding place, expresses his undying gratitude to Raina and explains that he is Swiss, a professional soldier, and that he bears no allegiance to the Servians.

He begs Raina to let him sit a minute longer before he must go back out into danger. She gasps, points to the ottoman and notices his revolver has been lying out in the open this whole time. Her gasp scared him, and she sarcastically suggests he take his revolver to protect himself from her. He explains the gun is not loaded—he carries sweets instead of ammunition.

Raina is outraged at this. The man further breaks down idealistic conceptions of war by revealing he has no allegiance to either side. This is selfish, indulgent, and weak and also kind of practical in that he carries what actually brings him pleasure —a kind of trifecta of anti-heroic traits, and the idealistic Raina is predictably outraged. The man wishes he had some chocolates now, and Raina goes to her drawers and scornfully thrusts a box of chocolate creams his way.

He is exorbitantly grateful, and explains that all old soldiers carry food while the young ones carry ammunition. Raina contemptuously says that even though she is a woman she is probably braver than him, and the man says this is true, but only because Raina has not been under fire for three days.

He then tells Raina that if she should scold him too much, he will start to cry. Though he has just violated her ideal of manhood, Raina gives the man chocolate creams. Though her disposition suggests a kind of huffy outrage, her actions betray her complexities, her compassion, and her willingness to accept this man despite his eccentricities and flaws. Raina is moved by this vulnerability, and apologizes.

She then draws herself up and says that Bulgarian soldiers are not like him. He then remarks that is ludicrous that Bulgarians have managed to beat them, but notes that their victory was basically accidental. Raina collects herself and, in a more typical, patriotic fashion, asserts that no Bulgarian soldiers are like this man for they must be more heroic. This brings direct attention to the difference between youth and maturity, which has already been implicitly highlighted earlier.

Raina skeptically demands that he explain himself, and he describes a cavalry charge, led by a handsome young man who was immensely brave.

Arms and the Man Plot Summary

Arms and the Man. Plot Summary. Act 1 Act 2 Act 3. Realism Class Divisions Youth vs. Maturity Heroism. LitCharts Teacher Editions. Teach your students to analyze literature like LitCharts does.

Arms and the Man Summary and Analysis of Act I

It is November , during the Serbo-Bulgarian War. Raina Petkoff, a young Bulgarian woman, is in her bedchamber when her mother, Catherine, enters and announces there has been a battle close by and that Raina's fianc, Major Sergius Saranoff, was the hero of a cavalry charge. The women rejoice that Sergius has proven to be as heroic as they expected, but they soon turn to securing the house because of fighting in the streets. Nonetheless, a Serbian officer gains entry through Raina's shutters. Raina decides to hide him and she denies having seen anyone when she is questioned by a Russian officer who is hunting for a man seen climbing the water pipe to Raina's balcony.

Social Mobility In Shaw’s Arms And The Man (1894):A Marxist Analysis

Arms and the Man

Thanx alot for such a great help. Arms and the Man is one of best plays of Bernard Shaw. It was performed for the first time in London in the year Now years have been passed by. Still the play is both humorous and thought provoking to all people in the world because the themes of the play are still relevant.

The Serbian forces include many soldiers hired from other nations. The scene description, in italics, sets a pattern for the rest of the play. Although there is no official narrator and the scene descriptions are in essence only for the eyes of the company putting on the play, they contain a significant amount of detail not perceptible to a viewing audience. Only a reader knows these details.

Summary: Act One, Beginning of play to Bluntschli's entry. The play begins in a small town “near the Dragoman Pass” in Bulgaria, in the bedroom of a young.

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The room is a confusing mixture of Bulgarian and Viennese decorations and furniture; the native pieces are rich and beautiful, but the occidental pieces are cheap and paltry. Between the door and the bed sits a chest of drawers covered with a pile of paperback novels, a box of chocolate creams and a photo of a handsome officer. Raina and her mother become ecstatic, rapturously contemplating the Bulgarian maneuver. Yet Raina admits that as Sergius was leaving for war she had doubts as to whether all their ideas about heroism and love would be borne out in reality. Louka , the Petkoffs' beautiful and insolent female servant, enters the room and explains that the windows should be closed and locked, as retreating Serbians are being hunted down in the streets. Raina is appalled by the violence and cruelty of war but Catherine is only concerned with securing the house, demanding that Raina lock her windows.

Post a Comment Drop any query, suggestion or comment here. Explaining the Title of G. October 08, Introduction : A good title should be apt and suggestive. It should also be attractive and sticking, so as at once to capture the attention of the audience or the readers.

Vocabulary from the Selection sparse intolerable grave threadbare vile bustle capitulation portly gratitude conspicuous mimic fatalist mercurial coeducation improvise leisure quarrel satchel pantomime indignant ostentatious extravagant Scoffing faltering During Reading Strategy Write Things Down. Flora Roberts, Inc. Used by permission of Flora Roberts, Inc.

Здесь говорится о другом изотопе урана. Мидж изумленно всплеснула руками. - И там и там уран, но разный.

Ее мозги работали словно на совсем другом уровне. Она подавляла его своей красотой, и всякий раз, когда он оказывался рядом, язык у него заплетался. Сейчас она держалась подчеркнуто сдержанно, и это пугало его еще сильнее.

 Каким временем мы располагаем.

 Да вы не стесняйтесь, сеньор. Мы служба сопровождения, нас нечего стесняться. Красивые девушки, спутницы для обеда и приемов и все такое прочее. Кто дал вам наш номер. Уверен, наш постоянный клиент.

Должен быть какой-то другой выход. - Решайте! - крикнул Хейл и потащил Сьюзан к лестнице. Стратмор его не слушал.

Он собирался совершить крупнейшую в своей жизни сделку - сделку, которая превратит его Нуматек корпорейшн в Майкрософт будущего. При мысли об этом он почувствовал прилив адреналина. Бизнес - это война, с которой ничто не сравнится по остроте ощущений. Хотя три дня назад, когда раздался звонок, Токуген Нуматака был полон сомнений и подозрений, теперь он знал правду. У него счастливая миури - счастливая судьба.

 Ну. Беккер кивнул. Уже в дверях он грустно улыбнулся: - Вы все же поосторожнее.

Зрение его несколько прояснилось, и ему удалось разобрать буквы. Как он и подозревал, надпись была сделана не по-английски. Беккер долго вглядывался в текст и хмурил брови. И ради этого стоило убивать. Когда Беккер наконец вышел из Гиральды в Апельсиновый сад, утреннее солнце уже нещадно пекло.

Стеклянная панель обдала его дождем осколков. Дверь повернулась и мгновение спустя выкинула его на асфальт. Беккер увидел ждущее такси. - Dejame entrar! - закричал Беккер, пробуя открыть запертую дверцу машины. Водитель отказался его впустить.

 Это где-то здесь, - твердо сказала Сьюзан.  - Надо думать. Есть различие, которое мы все время упускаем. Что-то очень простое. - Ой, дорогие мои… - сказала вдруг Соши.


У нас нет гарантий, что Дэвид найдет вторую копию. Если по какой-то случайности кольцо попадет не в те руки, я бы предпочел, чтобы мы уже внесли нужные изменения в алгоритм. Тогда, кто бы ни стал обладателем ключа, он скачает себе нашу версию алгоритма.  - Стратмор помахал оружием и встал.  - Нужно найти ключ Хейла.

Она ткнула его в ногу носком туфли. - Я сказала нет! - И, выдержав паузу, добавила: - И до вчерашней ночи это была правда. В глазах Сьюзан Дэвид был самим совершенством - насколько вообще такое. Одно только ее беспокоило: всякий раз, когда они куда-то ходили, он решительно противился тому, чтобы она сама платила за. Сьюзан не могла с этим смириться, видя, как он выкладывает за их обед свою дневную заработную плату, но спорить с ним было бесполезно.

Среднее время, потраченное на один шифр, - чуть более шести минут. Потребление энергии на среднем уровне. Последний шифр, введенный в ТРАНСТЕКСТ… - Она замолчала. - Что .

 Prostituiert? - Немец бросил боязливый взгляд на дверь в ванную. Он был крупнее, чем ожидал Беккер.


Lisette G. 28.05.2021 at 22:24

And if one of them is man enough to spit in my face for insulting him, I'll buy Act as if you expected to have your own way, not as if you.

Bruno S. 30.05.2021 at 16:31

Act l. Arms and the Man. 1 3. RAINA. Oh no: I am so rry yo u will have to go into d ange r again. [Pointing to tbc ottoman] Wo nt yo u sit. [Sbe break: of witb an ir.